Comedy adventure game Jazzpunk is a total sensory overload. From the very start of the game, Jazzpunk’s music pulls you right into its bizarre universe. Like the game’s punchy visual style, the game’s soundtrack is a perfect fit for the off-the-wall content of the game.
Necrophone Studios (comprised of Luis Hernandez and Jess Brouse) is the masterminds behind this gem of a game. The music was composed and recorded by Luis. This was done, of course, in a totally unconventional way: he set up his own studio space, recording the soundtrack with the use of an array of vintage tape machines and homemade analogue synthesisers. In a blog on the subject, he writes, “I use this approach in an attempt to capture the feeling of old sci-fi, experimental horror, and spy movies, which used a lot of analogue synthesisers, spring reverb, and tape echo for their monsters, computers, gadgets, and sound effects. Jazzpunk takes place in an alternate reality 1950s, so I wanted to mimic the production style from that era.”
Like the game, the soundtrack has enjoyed critical success and was included in Indie Game Reviewer’s top 10 indie game music soundtracks of 2014, placing fifth. A commenter writes, “I would pay $200 for this on vinyl. Jazzpunk takes a huge departure from standard fare; it’s like Terry Gilliam exists in the gaming universe.”
This player is far from the only one who feels this way. On Steam’s Jazzpunk forum, a long-running, still-active thread is dedicated to the soundtrack, with commenters lamenting the fact that it can only be listened to during gameplay – that is, the soundtrack itself is not available for purchase at all.
Hopefully the developers will, at some stage, release the soundtrack. That way, fans worldwide can return anytime, and anywhere, to Jazzpunk’s fantastical world of espionage, cowboys, and crocodiles.
game audio / game music / game soundtracks